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Cowper

by Small Countries

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1.
The Castaway 08:40
OBSCUREST night involved the sky, The Atlantic billows roared, When such a destined wretch as I, Washed headlong from on board, Of friends, of hope, of all bereft, His floating home for ever left. No braver chief could Albion boast Than he with whom he went, Nor ever ship left Albion’s coast With warmer wishes sent. 10 He loved them both, but both in vain, Nor him beheld, nor her again. Not long beneath the whelming brine, Expert to swim, he lay; Nor soon he felt his strength decline, Or courage die away; But waged with death a lasting strife, Supported by despair of life. He shouted: nor his friends had failed To check the vessel’s course, But so the furious blast prevailed That, pitiless perforce, They left their outcast mate behind, And scudded still before the wind. Some succour yet they could afford; And such as storms allow, The cask, the coop, the floated cord, Delayed not to bestow. But he (they knew) nor ship nor shore, Whate’er they gave, should visit more. Nor, cruel as it seemed, could he Their haste himself condemn, Aware that flight, in such a sea, Alone could rescue them; Yet bitter felt it still to die Deserted, and his friends so nigh. He long survives, who lives an hour In ocean, self-upheld; And so long he, with unspent power, His destiny repelled; And ever, as the minutes flew, Entreated help, or cried ‘Adieu!’ At length, his transient respite past, His comrades, who before Had heard his voice in every blast, Could catch the sound no more: For then, by toil subdued, he drank The stifling wave, and then he sank. No poet wept him; but the page Of narrative sincere, That tells his name, his worth, his age Is wet with Anson’s tear: And tears by bards or heroes shed Alike immortalize the dead. I therefore purpose not, or dream, Descanting on his fate, To give the melancholy theme A more enduring date: But misery still delights to trace Its semblance in another’s case. No voice divine the storm allayed, No light propitious shone, When, snatched from all effectual aid, We perished, each alone: But I beneath a rougher sea, And whelmed in deeper gulfs than he.
2.
God moves in a mysterious way His wonders to perform; He plants His footsteps in the sea, And rides upon the storm. Deep in unfathomable mines Of never-failing skill, He treasures up His bright designs, And works His sovereign will. Ye fearful saints, fresh courage take! The clouds ye so much dread, Are big with mercy, and shall break In blessings on your head. Judge not the Lord by feeble sense, But trust Him for His grace; Behind a frowning providence He hides a smiling face. His purposes will ripen fast, Unfolding every hour; The bud may have a bitter taste, But sweet will be the flower. Blind unbelief is sure to err, And scan His works in vain; God is His own interpreter, And He will make it plain.

about

For me, the line is near about gone between sacred music and the rest, Christmas music and the rest. There is only the music that reminds me God is with us, music that numbs me and passes the time, and music that disgraces all melody and purpose. God help me if I confuse them, but I suppose this is my Christmas record for 2012.

Once again, we have crawled around the sun, though not without our share of death and tragedy, not without the surprise of life and birth, not without conflict and drawing lines between ourselves and others. Here at the end we pause briefly to scan the landscape hoping there is that small thread of redemption weaving it all back towards peace.

Light Shining out of Darkness is William Cowper's (November 26, 1731 - April 25, 1800, pronounced Cooper) own survey of the landscape of the world and his own history. Cowper was one of the most popular poets of his time. At the time of his death, his works had already reached their tenth printing and garnered the praise of Wordsworth, Coleridge, and the whole English nation.

Cowper experienced severe depths of depression and insanity and knew darkness in a way few people can claim. He attempted to take his own life numerous times, occasionally under the impression that God was requesting it as a sacrifice. Eventually, he was overtaken by a sense of his own eternal damnation and died in 1800 (of dropsy, not by his own hand) fearing God had turned his back on the final 26 years of his life. But these sentences amount to a terribly simplistic portrait of a rich life.

Over the last seven years, Cowper has become something of a brother to me through his writings and his story. For the last two years, I have tossed around this arrangement and banged it out in grotesque fashion when the world seems to be at everyone's throat. It is an honest lyric in gorgeous order for anyone who needs the reminder.

The hymn is preceded by an aural rendition of a nervous breakdown - the pressure, the weight, and the chatter brought out by banter between an old Casio and beating an electric guitar with a screwdriver. The music is meant as a backdrop to Cowper's final poem, The Castaway which are transcribed in the "lyric" tab of the song.

Merry Christmas.

credits

released December 23, 2012

Matthew Spainhour - screwdriver guitar, synth, piano, vocals

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Small Countries Knoxville, Tennessee

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